Interview with David Williamson

Introductory music is variationed along with animated pictures. The Name of the syllabus ?Krew? appears on screen. Sounds of applauding can be heard. The screen fades to a horde standing on stage. On stage there be two armchairs a coffee table with two volunteer and a jug of water on top. compere: Thankyou fantastic much. receive viewers to the Krew. Tonight we have a special(a) guest David Williamson, one of Australia?s most successful shapewrights. His play ?The Club? is best known for its representation of our romping factory farm and we will be discussing the changes in football since ?The Club? was roll up and the relationships of characters in the play as a whole. Please perplex in David Williamson. Camera pans to David as he enters from the doorway. Close up as they shake their hands. Compere and David dissipate their seats. Compere: Welcome David, thank you for your time. After reading your play ?The Club? I established the biggest issues were the greas e ones palmsing of players, power, loyalty and money. Can you discuss how you came upon these ideas?David: In the mid(prenominal) 1970?s I kept seeing these headlines, ?Coach manoeuver?, ?Player Walks Out?. It struck me why don?t people have a physical connection to their commix anyto a greater extent? What?s happening to sport? It?s a crossoer between loyalty, loyalty to the club, and loyalty to the master dollar. I tried to catch football at this hybridisation point. Compere: Yes yes, recently I was reading the papers and I came across an article addressing the Australian Rugby Union favouring other(a) teams over others. The ARU was giving teams more money than others which gave them an upper hand, allowing them to buy damp players. Tahu and Tuqiri were offered $1.1million per season. Their coach was trying to persuade them not to take the more substantial... If you want to get a full essay, fix up it on our website: BestEssayCheap.com!

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